Busy day at work. Getting ready for our weekly meeting! Hope everyone’s ready.
Twitter-at-large: Does anyone know of an alternative to Google Moderator? The 250-character limit is too confining for movie synopses.
Would love if you would take a couple seconds to retweet the dates of our ‘10 film festival. Original is here: http://tr.im/ipfft Thank you!
Had two successful meetings and looking forward to the partnerships that will come out of them. Big step forward for us today.
Lots of well-wishes and words of support to @otherisrael! Congrats on the opening of your third annual festival! You are an inspiration.
The Annual Israeli Palestinian Film Festival returns in 2010 for our fourth season! We begin an enlightening week of films on April 29th and continue until May 6th. We would like to thank our wonderful hosts, the UC Santa Barbara campus and community for all their support.
Please email us at info@ipffsb.org for more information or to get on our mailing list.
Our own press from May 13th, 2009. Remember to join us again in 2010 for our fourth annual festival season!
“Our main goal as a festival is to clear up some misconceptions of what it means to be a citizen of this one, shared area,” Zabel, a third-year film & media studies major, said. “We want to introduce the people and the stories, beyond the destructive war images shown on the news. If the news media were all I saw, who wouldn’t be polarized?”
by Richard Chesnoff, The Huffington Post
The biggest conundrum facing Israeli Arabs is self identity. Who are they? And what are they? They’re not sure.
“We are Arab, Palestinian - but our mentaliyut [Hebrew for mentality] is Israeli,” notes one Israeli-Arab intellectual. ” We are caught in the middle. We are not fully accepted by either side”.
True or not, national schizophrenia has become an obsession for the Israeli Arab community - and to the benefit of Israeli cinema, the subject matter of a growing number of increasingly fine films, many of them in-tandem efforts by Arab and Jewish film-makers and actors.
It is these productions that are the focus of one of New York’s newest and most provocative annual happenings: The Other Israel Film Festival which opens its third season on November 12 at Manhattan’s Jewish Community Center. This year’s premiere screening: director Keren Yedaya’s “Jaffa”, a moving Romeo and Juliet tale of a Jewish girl who falls in love with a young Arab mechanic employed at her father’s garage.
The “Other Festival” is the brain child of Carole Zabar, the activist wife of one of the scions of New York’s most famous fine foods family. Herself the daughter of a “devoted Communist”, the ebullient Mme. Zabar says she herself “converted to Zionism” in her late teens, actually went to study and live in Israel, then abandoned the Holy Land, she says facetiously, “because there were too many Jews there”.
A predilection for Upper West Side liberal causes ultimately led her to undertake (and underwrite) The Other Israel Film Festival. “It was my way of showing people the culture and the problems facing Israeli Arabs,” she says. “We needed dialolgue. Their voices just had to be heard”.
And they are in the films - sometimes with touching family tales, sometimes with rarified looks at traditional Israeli Arab ways of life, sometimes with kvetchy “it’s not our fault” complaints about how they believe they are mistreated by the Jewish state, and sometimes with outright political propaganda such as radical Palestinian director Mohammad Bakri’sZahara, an otherwise beautiful saga of his 78 year old aunt, the family matriarch that frequently falls flat on its agit-prop.
One of this year’s most fascinating documentaries is director Ibtisam Mara’na’s Badal - an inside look at a common Muslim tradition whereby a brother and sister from one family wed a sister and brother from another in a two way contract that links both couples together for life.
Director Dorit Zimbalist offers us Sayed Kashua - Forever Scared, a close up look at one of Israel’s most popular columnists, novelists and screenwriters, an Israeli-Arab who writes in Hebrew but still feels he “doesn’t belong”.
And for tragic-comedy, there are episodes from Arab Labor - a term used as an Israeli perjorative for “shabby work”, but here the title of a much acclaimed TV sitcom about an Arab journalist who tries desperately to fit in yet is rejected by both communities.
Solving this identity crisis has become one of Israel’s most pressing internal problems. Part of the solution clearly lies with Israel’s own political and social bureaucracy; a deeper consciousness and understanding of the culture and full rights of its Arab citizens is sorely needed. But the ultimate cure lies with the Israeli Arab community itself - with an acceptance of the understanding that to survive and continue to grow in Israel, Israeli Arabs must accept their status as a loyal minority in a majority Jewish state.Unfortunately, the opposite is happening - a growing political radicalization among many Israeli Arabs, and a growing Islamicization among others has already resulted in shocking demonstrations supporting Palestinian terrorist groups , calls for celebrating Israeli Independence Day as “Yawm el Nakba” - Disaster Day - and demands for outright Israeli Arab political autonomy.
That will not and should not happen. Israel, established on a very small piece of Mideast real estate, was founded and internationally recognized for what it is: a Zionist Jewish state albeit one that guarantees the full rights of its non-Jewish minorities. Few Israeli Jews would trade in their Jewish state for a bi-national one (a concept that never works anyway). Moreover, polls show that even fewer Israeli Arabs would prefer to move to a future Palestinian state - and certainly not to another Arab nation. More of their films should express the positive side of that reality
The Third Annual “Other Israel Film Festival” runs from November 12 to 19th. Screenings are at the JCC, 334 Amsterdam Avenue, NY; at Cinema Village, 22 East 12th Street, NY and assorted other locales. For details see:
http://www.otherisrael.org/films
‘Make Sex, Not War’ (via BBC NEWS) Click link for article.
“…the people on the streets get along fine. We work with each other; we eat at each other’s restaurants. We’re intertwined. The problems are caused by the leaders, by the extremists. Our lives are together. Why not have sex together?”
“When you watch Israel on the world media, you see 80% fanatic settlers, 19% cruel soldiers at the road-blocks, and 1% wonderful intellectuals … who criticise the government and struggle for peace.”

For our closing night, May 14th, we are very excited and thrilled to be hosting a first for us—an outdoor event. This gives us the opportunity to showcase our festival and our campus to the greater Santa Barbara community.
Our evening will kick off with a performance by UCSB’s Middle East Ensemble, described as an official “Ethnomusicology Performance Ensemble” of the UCSB Music Department. Founded in 1989 by professor Scott Marcus, the ensemble has performed widely throughout California, the Southwest United States and as far as our nation’s Capital. The performance and event will feature our campus lagoon, Storke Lagoon, as it’s backdrop to highlight a festive atmosphere and emphasize a connection to our school and environment.
During their performance, movie-goers can enjoy a delicious, buffet-style dinner as a picnic, sitting on the lawn. There is also a small patio, should you prefer a more traditional seating arrangement.
We will then venture across the walkway to the gorgeous theater known as the Lotte Lehmann Concert Hall for a unique experience when showing Driving to Zigzigland, the final film of our stellar line-up. We are honored to have the director, Nicole Ballivian, present for the evening for a question and answer session.
Through music, cinema, dialogue (and a little bit of food and fun), this night perfectly represents the spirit of the Israeli Palestinian Film Festival. We would like to invite and welcome you to our campus for this truly special event.